This is an interesting entry in Mortiis's catalog, considering it isn't real moody, nor heavy like some of his releases.

“Stargazer” opens this album, being atmospheric and mystical, yet kind of dreary, having some flute sounds, but then it picks up with drum rolls, sounding hopeful. It gets an orchestral touch added to it later as well.
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“Søk din ånd” starts off having an old ragtime piano sound (*IF* you could imagine Mortiis with his prosthetic ears and nose bent over a piano in an old western movie’s salon, ha ha), then adds much more modern, organ-like, melancholy keyboards, but there’s some hopeful-sounding, quick ascending keys added to it at times, which is a neat touch. The ragtime piano sound returns with the title track, but coupled with modern day keyboard sounds again, although it has this jarring note thrown in throughout it that’s too loud. It’s also slow, but speeds up at times, then it has an abrupt change with the last ending minute or so, becoming more dramatic and adding a drum machine to it.

“The Last Rainbow King” has these high-pitched sort of chimey, bell-like notes, then it progresses to low, moody chorus notes, then later there’s flute and it ends on some soaring keyboards. “Purple Sky” has a lot going on, with flute and wind, sounding a bit mysterious, possibly ominous, then later you get some brief chorus samples, then it ends with kettle drums.

Not a lot of this is very melancholy, which I like the most with dungeon synth, yet this is still a pretty good album. At least it's truer dungeon synth than with his Space Race/Robot City release, which is electronica, and not dungeon synth whatsoever.